I applaud her effort to counter the negative image of big business as robber barons. Her entrepreneurs are high-minded, principled achievers who relish the competitive edge and have the creative genius to invent exciting new products, manage businesses efficiently, and produce great symphonies without cutting corners. Such actions are often highly risky and financially dangerous and are often met with derision at first. Rand rightly points out that these enterprising leaders are a major cause of economic progress. History is full of examples of "men who took first steps down new roads armed with nothing but their own vision." In the novel, protagonist Hank Reardon defends his philosophy before a court: "I refuse to apologize for my ability – I refuse to apologize for my success – I refuse to apologize for my money."
But there's a dark side to Rand's teachings. Her defense of greed and selfishness, her diatribes against religion and charitable sacrificing for others who are less fortunate, and her criticism of the Judeo- Christian virtues under the guise of rational Objectivism have tarnished her advocacy of unfettered capitalism. Still, Rand's extreme canard is a brilliant invention that serves as an essential counterpoint in the battle of ideas.
The Atlas characters are exceptionally memorable. They are the unabashed "immovable movers" of the world who think of nothing but their own business and making money. "... I want to be prepared to claim the greatest virtue of them all – that I was a man who made money," says copper titan Francisco d'Anconia. But these men are regarded as ruthless, greedy, single-minded individualists. They are men (except for Dagny Taggart, who could be confused for a man) who always talk shop and give scant attention to their family. In fact, no children appear in Rand's magnum opus.