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Old friends Junot Díaz and Francisco Goldman talk shop

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"Say Her Name" was different. I began it six months after Aura's death and was helpless to do anything else. Now I've gone back to a novel that I was working on when Aura died. It's a different novel now, just as I'm a different person. I failed at it for much of this summer. The difference is that this time, the weeks of failing didn't panic me, I'd been down this road before and knew that sooner or later it would resolve.

 So Junot, my question to you is up at the top. Related to it is another question: how do you find your way forward when you write a novel? Did you know where you wanted the novel to go when you began "Oscar Wao?" How radically different was that process for you than when you write short stories?

Junot Díaz: I have hundreds of pages filled with failed versions of Yunior's voice. That's how I roll; I always have to write a lot of crap before anything useful emerges. I don't necessarily cringe. I just shake my head, amazed that I have to sow so much to glean so little.

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