From sharecropping childhood to the election of a black president, Mississippi bluesman Honeyboy Edwards has a long story.
January temperatures here are never kind. But in David “Honeyboy” Edwards’s bedroom, where he likes to entertain guests – closet crammed with guitar cases, chipped chair and dresser squared against a bed with crimson sheets – the heat is positively Mediterranean.
“I like to do it like this,” says Mr. Edwards stretched across the bed, hands cupped behind his head, and dreamily scanning the ceiling like it’s a night sky in Mississippi, his childhood home. “I like it warm.”
While the radiator hisses near his head and a space heater boils at his feet, Edwards smiles and goes quiet a moment. He’s 93 and remembering another story – and this Grammy-winning bluesman has got many.
They are vivid accounts of a world that no longer exists, on the Mississippi Delta in the early 20th century before household electricity and civil rights. His stories have drawn academics, documentary film crews, and wide-eyed music enthusiasts from around the world to his door. Having lived the sharecropper life, Edwards – considered the last living link to country blues, which is the deepest root of all American popular music – recounts the people he knew and the musical culture he helped nurture, with photographic exactitude.
Some stories are personal, like how he got cut with a blade wooing his wife away from her first husband, or how he remembers the legendary guitarist Robert Johnson the night he died from being poisoned by his jealous girlfriend. Others paint a portrait of an era – the sound the water made when the levees broke in 1927, flooding the Mississippi lowlands. Or portraits of a culture – the exact uses of each part of a hog to make it last an entire winter. And portraits of a style of music – the exact chords and lyrics of songs never transcribed.
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