Taking cues from the 2010 Uruguayan film, The Silent House, Kentis and Lau’s Silent House story is pretty basic – which makes sense for a movie with only a few characters and an especially limited scale. We follow leading-lady Sarah (Olsen) through a tense, and at times horrifying, ordeal: Sarah, along with her father, John (Adam Trese), and Uncle, Peter (Eric Sheffer Stevens), is in the process of fixing up the family’s dilapidated vacation home, in an effort to make the property more attractive when they attempt to sell it. Sarah begins to hear mysterious noises in the upstairs portion of the house, and when she and her dad attempt to investigate the sounds, it quickly becomes clear that they are not alone – nor are they safe. Whether or not the alleged “true event” inspiration of the film ever actually occurred remains unsubstantiated (and was a point of contention among fans of the 2010 Uruguayan film); however, “based on true events” or not, the fundamental storyline works well enough within the confines of the 88 minute timeframe.
Despite that simple set up, Silent House is a meticulously crafted film. Not only is the house isolated, every window is boarded up (to prevent local kids from breaking the glass) and all the doors are dead-bolted (to keep out squatters) – creating an atmosphere of dark isolation that works to the film’s advantage again and again. Sarah (as well as John and Peter) rely on handheld propane as well as LED lamps – which, coupled with the “uninterrupted take” presentation, will definitely keep audience members squinting into the darkness, along with the film’s main characters.