Of course, while this scene was not actually a change to the plotline (it’s referenced in the books that Aro is made to see the vision, though the reader only hears about it afterwards), some fans still didn’t like it.
My take? Good for them for changing SOMETHING (even if, comparing it to the text, it’s an incredibly small change).
I know that adapting a book into a film is an incredibly delicate balance, even more so when the book has a devoted fanbase attached. But the director and the creative team behind him or her needs to feel free to create the best product, the best movie, that they can without it being obvious that they tied themselves to every word on the page of that book.
Case in point: the “Harry Potter” films, an almost parallel case in terms of how attached fans are to the books (and a franchise I happen to like a lot more than “Twilight” – sorry, fans). The first two movies in the eight-part series were directed by “Home Alone” helmer Chris Columbus and are fine, but you could almost feel the desperation in “Sorcerer’s Stone” and “Chamber of Secrets” to pack everything in, make sure no moment was missed, get as close an adaptation as possible.
“Director Chris Columbus vowed to be faithful to J.K. Rowling's Harry Potter and the Sorcerer's Stone, and to a certain extent he is,” USA Today critic Claudia Puig wrote of the first movie. “But one can be faithful to a plot without being faithful to the book. Harry Potter, the film, looks just as dazzling as readers of Rowling's captivating book might hope. But the movie ultimately lacks the book's delightful whimsy and much of the sly verbal humor that made Rowling's tales so charming.”