'Game of Thrones' returned for its third season on March 31. 'Game of Thrones' airs on HBO.
Each time Game of Thrones returns, it’s worth noting how the ever-expanding animated map of Westeros illustrates the series’ excursive story – a tale that shows no sign of restricting the number of borders it is willing to cross, or the seas it will traverse in order to regale viewers with the most unrestrained yarn possible.
As season 3 begins, the intro’s eye-in-the-sky zooms in on King’s Landing; does a flyby on the scorched stones of Harrenhal; buzzes a smoking Winterfell; and bounds effortlessly over the sea (offering a glimpse of Astapor, the home of the Unsullied). Through this journey one thing becomes clear: No matter how many Starks wind up with their head on a pike, no matter how many countless warriors become engulfed in wildfire and spend the rest of eternity in the depths of Blackwater, Westeros, the most vital element in Game of Thrones, will carry on.
But that satellite – watching as the world seemingly builds itself up from nothing – is more than a celestial voyeur; it is the omniscient eye of showrunners D.B. Weiss and David Benioff. Thanks to the work of George R.R. Martin, its vision hints at a course along a pre-established storyline, alluding to the fates of characters too small to be seen from its lofty vantage point, but exceedingly integral to this world’s future. The landscape that is shown before every episode reminds the viewer that across the myriad plotlines, this is the tale of Westeros; it is detailing where the story has been, but along with having the best seat in the house, it is blessed with the knowledge of what’s to come.