'The Hobbit' film series: What will its legacy be?

The (presumably) final film in the 'Hobbit' series, 'The Hobbit: The Battle of the Five Armies,' hits theaters on Dec. 17. How will casual moviegoers and Tolkien fans remember the movies?

|
Mark Pokorny/Warner Bros. Pictures/AP
The 'Hobbit' films star Martin Freeman.

The last “Hobbit” film (we presume), “The Hobbit: The Battle of the Five Armies,” hits theaters in a couple of weeks, and with its release, the story of Bilbo Baggins's adventure will be over (time will tell whether more stories set in J.R.R. Tolkien’s world of Middle-earth will come to theaters). So how will the “Hobbit” movie series be remembered? As the inevitably inferior younger sibling of the critically acclaimed and box office smash “Lord of the Rings” trilogy, or as its own satisfying movie series?

The “Hobbit” film trilogy always had a lot to live up to. When director Peter Jackson, previously of such films as “Heavenly Creatures” and “The Frighteners,” took on the task of adapting Tolkien’s most famous work, the groundbreaking fantasy trilogy “The Lord of the Rings,” many were doubtful. “Rings” is full of expensive battle scenes, takes place in geographically diverse landscapes, and includes many fictional languages, like Elvish. How would a director bring a creature like Gollum to the screen? And Jackson went ahead and shot all three movies at the same time, before the first was released and he knew whether it was a success. At the time, Monitor writer Bonnie Churchill noted that “many are calling [the decision to shoot all three] ‘Hollywood’s biggest gamble’… the reported $270 million for the three films is still daunting, especially because, as Jackson points out, ‘fantasy films in Hollywood have seldom been a successful genre.’” 

But we all know how that turned out. The first “Rings” movie, “The Fellowship of the Ring,” became the second-highest-grossing movie of 2001, while the second, “The Two Towers,” became 2002's number two film, and the trilogy’s finale, “The Return of the King,” was the top-grossing movie of 2003, according to the website Box Office Mojo. All three were nominated for Best Picture at the Oscars and “King” won, still the only fantasy film to take the prize. 

So the adaptation of Tolkien’s previous work set in Middle-earth seemed inevitable. The book, which clocks in at more than 300 pages (“Rings,” when combined, is over 1,000) was first set to be filmed as two movies, then Jackson announced it would be three, with supplemental material by Tolkien also figuring into the story. This is a decision that displeased some fans – Deadline writer Mike Fleming Jr. titled his article about the decision “Say It Isn’t So!,” writing, “There wasn’t a wasted second in LOTR… I read The Hobbit numerous times and I don’t think that Bilbo Baggins has three films in him” and MTV writer Kara Warner writing, “We can’t ignore the fact that a third movie will make loads of money no matter how pure and good the intentions that go into it,” though she noted that “Jackson is not just a writer/director, he’s a total fanboy himself and knows how important Tolkien’s work is to the massive fanbase.” 

And many reviewers remarked on the decision to make two films three when writing about the first movie. Michael Phillips of the Chicago Tribune wrote that “turning the relatively slim 1937 volume “The Hobbit” into a trilogy, peddling seven or eight hours of cine-mythology, suggests a better deal for the producers than for audiences” and NPR critic Bob Mendello wrote of the movie, “You’ll sense that there’s a bit of padding going on here… it's mostly technology this time rather than story that's providing the depth.” Overall, “The Hobbit: An Unexpected Journey” holds a score of 58 out of 100 on the review aggregator website Metacritic, while “The Hobbit: The Desolation of Smaug,” the second film, scored a 66. “Armies,” the final film, has only been reviewed by a few publications so far but currently holds a 62 score

It’s true that “Lord of the Rings” provided an extremely high standard to live up to when adapting the “Hobbit” films, and the “Hobbit” movies do have their entertaining points. But when looking back at the “Hobbit” movies, many will most likely point to the decision to split the story into three films as having stopped the movies from being all they could be. In addition, there’s the unavoidable fact that, since the “Hobbit” movies followed “Rings,” some felt Tolkien fatigue. (Monitor film critic Peter Rainer wrote in his review of “Unexpected,” “My first thought in watching ‘The Hobbit’ was: Do we really need this movie? It was my last thought, too… By the time the last of the “Rings” movies wrapped, I had had quite enough of orcs and dwarves and rings and Gandalf and Middle-earth.”)

However, if the "Hobbit" movies had never been adapted, many fans probably would have called it one of the biggest missed opportunities in Hollywood history. In the "Hobbit" films, “Lord of the Rings” fans got to check in again with heroes Bilbo, Gandalf, Legolas the elf, and others, and meet new ones like elf maiden Tauriel (an addition some critics praised), and for some, that’s enough.

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to 'The Hobbit' film series: What will its legacy be?
Read this article in
https://www.csmonitor.com/The-Culture/Culture-Cafe/2014/1202/The-Hobbit-film-series-What-will-its-legacy-be
QR Code to Subscription page
Start your subscription today
https://www.csmonitor.com/subscribe