The Girl who Kicked the Hornet's Nest: movie review
The final chapter of Stieg Larsson's trilogy, 'The Girl who Kicked the Hornet's Nest' brings punk hacker Lisbeth's quest to a blazing climax.
Music Box Films
My favorite moment in the "The Girl who Kicked the Hornet's Nest" has nothing to do with blood or vengeance.
Punk hacker Lisbeth Salander (Noomi Rapace), recovering in a hospital bed from a bullet wound to the head, is visited by her sympathetic young doctor (Aksel Morisse). Realizing she will soon be taken by the police to Stockholm to stand trial for three murders, he is protective of her privacy. He says to her, "You are one of the most interesting patients I've had in a long time."
It's a funny line, and both doctor and patient, despite her force field of wariness, are in on it. It's also one of the more wry moments in a film that, for the most part, plays like a pretty good TV police procedural. This final installment in the series derived from Stieg Larsson's bestselling "Millennium" trilogy, like its immediate predecessor "The Girl who Played with Fire," was, in fact, originally shot for Swedish television.
Everything in the trilogy – which, in case you've been sequestered on Mars for the past few years, began with "The Girl with the Dragon Tattoo" – wraps up here. Consequently, it doesn't have the transitional-movie dragginess of the previous installment (which was shot back-to-back with this one by director Daniel Alfredson).