Oka!: movie review
'Oka!' is fascinating despite a messy narrative structure.
Courtesy of Roland Films
"Oka!" is loosely based on the unpublished memoir of ethnomusicologist Louis Sarno, who was born in 1954 in New Jersey and has lived with Bayaka pygmies in the southwestern part of the Central African Republic for more than 25 years as a welcome member of their community.
His 1995 CD-book "Bayaka: The Extraordinary Music of the Babenzélé Pygmies" inspired filmmaker Lavinia Currier, for whom he once acted as a translator for research about a documentary about pygmies.
"Oka!," which means "listen," is a fictionalized version of Sarno's experiences in Africa with his adopted family.
From a strictly narrative standpoint, "Oka!" is crudely fashioned. The story line has something to do with the exploitation of the pygmies' rain forest by an unscrupulous local Bantu mayor (Isaach De Bankolé). The acting by the professional actors, who also include Kris Marshall as Larry, the Sarno character, is overscaled compared with that of the actual Bayaka people who joined the cast as key performers.
Despite all this, "Oka!" is a fascinating movie with many free-form charms. (It's a bit reminiscent of the neglected 2000 film "Songcatcher," starring Janet McTeer as a turn-of-the-20th-century musicologist collecting folk songs in Appalachia.) At first I dreaded seeing another movie about a white Westerner uplifting the lives of black Africans, but this film presents the reverse scenario. Larry's life was transformed from the first moment he experienced Africa, and even though, at the beginning of the film, his doctor in New Jersey warns him that his failing liver cannot endure a return trip, he blithely reenters the fray, determined to record the native genius of the pygmies' sound.