Annette Funicello was a Mouseketeer, beach-movie star

Annette Funicello appeared on 'The Mickey Mouse Club' in the 1950s and starred in a series of movies with Frankie Avalon. Annette Funicello died April 8.

J. Scott Applewhite/AP

Annette Funicello, who became a child star as a perky, cute-as-a-button Mouseketeer on "The Mickey Mouse Club" in the 1950s, then teamed up with Frankie Avalon on a string of '60s fun-in-the-sun movies with names like "Beach Blanket Bingo" and "Bikini Beach," died Monday. She was 70.

She died at Mercy Southwest Hospital in Bakersfield, California, the Walt Disney Co. said.

"She will forever hold a place in our hearts as one of Walt Disney's brightest stars, delighting an entire generation of baby boomers with her jubilant personality and endless talent," said Bob Iger, Disney chairman and CEO.

Avalon said Monday that Funicello never realized how beloved she was.

"She would say, 'Really?'" he told The Associated Press. "She was so bashful about it. She was an amazing girl." He added: "She really had a tough existence. It's like losing a family member. I'm devastated, but I'm not surprised."

The pretty, dark-haired Funicello was just 13 when she gained fame on Walt Disney's television kiddie "club," an amalgam of stories, songs and dance routines that ran from 1955 to 1959.

Cast after Disney saw her at a dance recital, she appeared in mouse ears, a pleated skirt and a turtleneck sweater emblazoned with her first name. She soon became the most popular Mouseketeer in the cast, receiving 8,000 fan letters a month, 10 times more than any of the 23 other young performers.

Her devotion to Walt Disney remained throughout her life.

"He was the dearest, kindest person, and truly was like a second father to me," she remarked. "He was a kid at heart."

When "The Mickey Mouse Club" ended, Annette (as she was often billed) was the only club member to remain under contract to the studio. She appeared in such Disney movies as "Johnny Tremain," ''The Shaggy Dog," ''The Horsemasters," ''Babes in Toyland," ''The Misadventures of Merlin Jones" and "The Monkey's Uncle."

She also became a recording star, singing on 15 albums and hit singles such as "Tall Paul" and "Pineapple Princess."

Outgrowing the kid roles by the early '60s, Annette teamed with Avalon in a series of movies for American-International, the first film company to exploit the burgeoning teen market.

The filmmakers weren't aiming for art, and they didn't achieve it. As Halliwell's Film Guide says of "Beach Party": "Quite tolerable in itself, it started an excruciating trend."

But the films had songs, cameos by older stars and a few laughs and, as a bonus to latter-day viewers, a look back at a more innocent time. The 1965 "Beach Blanket Bingo," for example, featured subplots involving a mermaid, a motorcycle gang and a skydiving school run by Don Rickles, and comic touches by silent film star Buster Keaton.

Among the other titles: "Muscle Beach Party," ''Bikini Beach," ''How to Stuff a Wild Bikini" and "Dr. Goldfoot and the Bikini Machine."

The beach films featured ample youthful skin. But not Funicello's.

She remembered in 1987: "Mr. Disney said to me one day, 'Annette, I have a favor to ask of you. I know all the girls are wearing bikinis, but you have an image to uphold. I would appreciate it if you would wear a one-piece suit.' I did, and I never regretted it."

The shift in teen tastes begun by the Beatles in 1964 and Funicello's first marriage the following year pretty much killed off the beach-movie genre.

But she was somehow never forgotten though mostly out of the public eye for years. She and Avalon staged a reunion in 1987 with "Back to the Beach."

She wrote of her triumphs and struggles in her 1994 autobiography, "A Dream Is a Wish Your Heart Makes" — the title taken from a Disney song. In 1995, she appeared briefly in a television docudrama based on her book.

Funicello was born Oct. 22, 1942, in Utica, New York, and her family moved to Los Angeles when she was 4. She began taking dance lessons the following year and won a beauty contest at 9. Then came the discovery by Disney in 1955.

"I have been blessed to have a mentor like Walt Disney," she said 40 years later. "Those years were the happiest of my life. I felt that back then. I feel the same today."

Asked about the revisionist biographies that have portrayed Disney in a negative light, she said, "I don't know what went on in the conference rooms. I know what I saw. And he was wonderful."

In 1965, Funicello married her agent, Jack Gilardi, and they had three children, Gina, Jack and Jason. The couple divorced 18 years later, and in 1986 she married Glen Holt, a harness racehorse trainer. After her film career ended, she devoted herself to her family. Her children sometimes appeared on the TV commercials she made for peanut butter.

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to Annette Funicello was a Mouseketeer, beach-movie star
Read this article in
https://www.csmonitor.com/The-Culture/TV/2013/0408/Annette-Funicello-was-a-Mouseketeer-beach-movie-star
QR Code to Subscription page
Start your subscription today
https://www.csmonitor.com/subscribe