'American Horror Story': Will it lose at the Emmys because of its genre?

'American Horror Story' earned the most Emmy nominations of any program this year. But will 'American Horror Story' lose because it's part of the horror genre?

|
Prashant Gupta/FX/AP
'American Horror Story' stars Sarah Paulson.

Although "American Horror Story: Asylum" bested HBO's fantasy epic "Game of Thrones" in picking up the most Primetime Emmy nominations on Thursday, the fright-filled FX miniseries could face another tough year at the fickle Emmys.

"It's cursed by being in the horror genre," Hollywood awards show handicapper Tom O'Neil of Goldderby.com said. "Emmy voters, like Oscar voters, are horrified of the horror genre and tend to stay away."

The torture-filled miniseries set in a nun-run mental hospital picked up the same number of nominations as its predecessor, "American Horror Story: Murder House," did last year, and "Murder House" was only able to win two Emmys – best hairstyling and best supporting actress, both in a miniseries.

It was not the only show to flop at last year's Emmys, the top awards in U.S. television. Perennial favorite "Mad Men," the depiction of the 1960s Madison Avenue advertising world, set a record for losses, walking away empty-handed after 17 nominations.

The Emmys honor a broad swath of television production, from the pinnacle prize of best drama series to more obscure ones like best sound mixing for non-fiction programming. There are 537 separate nominations and HBO alone picked up 20 percent of those.

The Time Warner cable channel's "Game of Thrones" racked up 16 nods and should run away with victories in many categories, O'Neil said.

"'Game of Thrones' will sweep those tech categories," the analyst said of its nominations in best sound editing, visual effects and single-camera picture editing for a drama series, among others.

But the handicapper, who said it has also been difficult in the past for fantasy series to break through in top categories, believes "Game of Thrones" is poised to cash in for nods in best drama series and best writing in a drama series.

"Suddenly what was unthinkable last year is possible," O'Neil said. "It can win."

One element working in "Game of Thrones" favor is the broad range of nominees put forward by voters. The series goes up against the likes of British period drama "Downton Abbey" and anti-terror thriller "Homeland," last year's top drama.

"But whereas 'Downton' may not have matched the quality of its earlier seasons this year, 'Game of Thrones' had its best and most-watched season yet, and made demonstrable inroads with actors, too," wrote The Hollywood Reporter's Scott Feinberg.

Peter Dinklage, who won best supporting actor for "Game of Thrones" in 2011, picked up his third consecutive nomination in the category, and fellow cast member Emilia Clarke scored her first Emmy nod in the best supporting actress category.

Both O'Neil and Variety's Justin Kroll said that although Academy of Television Arts and Sciences voters are often slow in warming to fantasy series, a show's popularity may ultimately win out.

ABC's top-rated fantasy drama "Lost" is one recent example as it won best drama series in 2005. "Game of Thrones," to its credit, is HBO's second-most watched TV drama in its history, behind only "The Sopranos."

"For a show with a largely international cast that is shot far outside the confines of the U.S. (Ireland, Iceland, Bulgaria etc.), it took a little time for the creative community to wrap its arms around the epic fantasy," Kroll wrote.

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to 'American Horror Story': Will it lose at the Emmys because of its genre?
Read this article in
https://www.csmonitor.com/The-Culture/TV/2013/0722/American-Horror-Story-Will-it-lose-at-the-Emmys-because-of-its-genre
QR Code to Subscription page
Start your subscription today
https://www.csmonitor.com/subscribe