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How basketry preserved a people

Zulu basketry began to die out because of tin and plastic containers, but now the craft is flourishing.


‘Lidded Basket’ by Beauty Ngxongo (10 by 18 inches, fibers, 2005). Decades ago, a neighbor taught Ms. Ngxongo how to make these traditional Zulu watertight containers. Now her work is shown in museums worldwide.

Courtesy of the Samuel P. Harn Museum of Art

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Beauty Ngxongo's basket is a domestic object shaped to hold liquids, but it also holds a community's traditions. Ms. Ngxon­go is the most renowned Zulu basket weaver alive. Her work is in New York's Metropolitan Museum of Art, major South African museums, and Washington's Smithsonian Institution.

The story of Zulu basketry is one of revival. The craft was dying because of the introduction of tin and plastic containers. A Swedish minister, Kjell Lofroth, and his wife, Bertha, witnessed the decline in local crafts. When drought struck in the late 1960s and people in the rural KwaZulu-Natal Province faced starvation, Mr. Lofroth began the Vukani ("Wake up and get going") Arts Association to help single women support their families. Only three elderly women knew how to make baskets, but they taught others. A market, and the craft, flourished.


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