Photographers have been arrested, had camera equipment seized, and seen memory cards deleted by police officers. Is it harassment or protecting public safety?
Reality shows routinely tail US police officers, filming them tangling with miscreants. Cops regularly film themselves from cameras mounted on cruiser dashboards – and now special hats. But if the state uses cameras for its own purposes and defense, why are so many citizens getting in trouble for pointing their cameras at the police?
The rise of security and red-light cameras coincides with ubiquitous photography, when nearly every American with a cellphone holds a reality-recording device in his or her pocket.
That democratization of photography is ratcheting up tensions between police, who sometimes feel beleaguered by citizen gotcha artists, and amateur photogs who claim a First Amendment right to record what’s happening in the public square.
“You can buy a digital camera the size of a stick of gum for 20 bucks,” says Radley Balko, a senior editor at Reason magazine and frequent critic of police power in the US. “As a result, we’re seeing all these videos popping up that show not only misconduct, but contradict what shows up in police reports after the fact.”
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