Álvaro Cogollo uses popular music to entice Colombians to love nature
Biologist Álvaro Cogollo draws on Colombia's native vallenato music to inspire a love for his country's biodiversity.
MedellÍn, Colombia; and New York
As a boy growing up on a farm near the Caribbean coast of Colombia, Álvaro Cogollo loved the forest. His grandfather taught him the common names of the plants, trees, and animals, and Mr. Cogollo would disappear for hours with a notebook, recording the explosion of life he found there.
After long days harvesting cotton and corn, Cogollo's laboratory was the forest. And vallenato, the traditional music of the region, with its upbeat accordion, distinctive rhythms, and poignant lyrics, was his soundtrack.
Plants and vallenato have been lifelong passions for Cogollo, now the scientific director of the Medellín Botanical Garden. His Spanish teacher, a folklore enthusiast, encouraged an early interest in the music.
Later, as a biology student in the 1970s, Cogollo studied plant taxonomy by thinking of all the plant references he could remember from classic vallenato songs. He has since traveled around the country to document its rich botanical heritage and, informally, studied the music that tells an important story of Colombia.
"We were colonized by the Spanish; later, Africans were brought as slaves to exploit gold mines; and the indigenous peoples were [already] here," he says. "That is what authentic vallenato represents with its three instruments: the accordion, from a European origin; la caja [drum], which is of African origin; and la guacharaca, a percussion instrument made from a palm trunk, [which] is from [indigenous] American origin."