Jerry Weintraub: A look at the effect he had on Hollywood

Weintraub, who has died, was a producer behind such projects as the 'Karate Kid' and 'Ocean's Eleven' film series and the HBO movie 'Behind the Candelabra.'

|
Lucy Nicholson/Reuters
Jerry Weintraub poses backstage with the award for Best TV Movie or Mini-Series for 'Behind the Candelabra' at the 2014 Golden Globe Awards.

Film and music producer Jerry Weintraub died Monday in Santa Barbara, California, according to his publicist, The Associated Press reported.

Weintraub was behind everything from Elvis Presley and Frank Sinatra concerts, when he worked as a concert promoter, to the “Karate Kid” and “Ocean’s Eleven” films. His early credits frequently involve singer John Denver, with Weintraub having produced “An Evening with John Denver,” “Rocky Mountain Christmas,” and “John Denver: The Higher We Fly,” among other credits.

Some of the best-known movies Weintraub produced include 1982’s “Diner,” the “Karate Kid” films, and the recent HBO TV movie “Behind the Candelabra.” He is also a producer on the current HBO series “The Brink,” a comedy which stars Jack Black and Tim Robbins, as well as the upcoming HBO series “Westworld,” which stars Ed Harris, and an upcoming version of the “Tarzan” story which stars “True Blood” actor Alexander Skarsgard, Margot Robbie of “Focus,” “Big Eyes” actor Christoph Waltz, and Samuel L. Jackson of “Avengers: Age of Ultron.” The film is due to be released next summer.

“I can get anything done, anywhere, at any time,” Weintraub told the Los Angeles Times in a 2012 interview. He wrote in an essay for Vanity Fair published earlier this year that “my perfect day in L.A. is every day… I am lucky enough to speak with some of the most interesting and creative people in the world. These conversations are what keep me going through the day; they engage and excite me… One thing stays the same: I am continually stimulated and excited by talking with extraordinary people about extraordinary projects.” 

Weintraub was a super-producer who was involved in almost all genres of entertainment and his tributes have included industry watchers calling him “one of the last of Hollywood’s great old-school impresarios… touching nearly every corner of the entertainment world,” “a lion,” and “a force in showbiz for nearly half a century.” 

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to Jerry Weintraub: A look at the effect he had on Hollywood
Read this article in
https://www.csmonitor.com/The-Culture/Culture-Cafe/2015/0707/Jerry-Weintraub-A-look-at-the-effect-he-had-on-Hollywood
QR Code to Subscription page
Start your subscription today
https://www.csmonitor.com/subscribe