Banjos back on center stage

From Steve Martin to Grammy-winning group Mumford & Sons, banjos are suddenly everywhere in music, and its popularity is diversifying the instrument's image.

|
Don Juan Moore/AP
Steve Martin performs on banjo.

When founding members and banjo players Dom Flemons, Rhiannon Giddens, and Sule Greg Wilson formed the Carolina Chocolate Drops in 2005, their mission was to help revive African-American folk music traditions that lay at the core of modern pop and bluegrass music.

Over the next several years, however, those ambitions carried the Carolina Chocolate Drops somewhere unexpected: to international acclaim. The string band won a Grammy, opened for Bob Dylan, and in 2012 had a song on the soundtrack of the blockbuster film “The Hunger Games.”

And they are hardly the only banjo players to hit it big recently. In January, a quartet of scruffy banjo-playing folk rockers called Mumford & Sons plucked and strummed their way to two Grammy Awards – including Album of the Year. Then in April, comedian Steve Martin, long also known for his banjo skills, released an album of banjo tunes with Edie Brickell. Meanwhile, pop diva Taylor Swift was strumming her own banjo in front of sold-out stadium crowds on her Red Tour and at the Country Music Awards.

“People have a real hunger for music that sounds like it’s rooted in tradition, and the banjo definitely represents that,” Mr. Flemons of the Carolina Chocolate Drops says. “And then you have all these people diversifying the image of what the banjo is, showing that it’s not just an instrument for toothless hillbillies playing bluegrass.”

Indeed, the scrappy backwoods cousin of the acoustic guitar has a storied history as a pop instrument. Descended originally from similar round-bodied string instruments brought from West Africa by slave populations, the banjo first hit its stride in American pop music in the mid-19th century as the centerpiece of the country’s wildly popular (and wildly racist) minstrel shows. Banjos went on to become a centerpiece in American folk music, playing a starring role in the development of the Appalachian-rooted genre of bluegrass in the 1940s.

But if banjos have often captured the public’s imagination in the past, they’ve never become a mainstay like the guitar. That’s in part, Flemons says, because of their distinct and specific sound. It’s intriguing, but “people get sick of it after a while,” he says.

“There’s all this amazing cross-pollination of different musics going on right now, and someday I hope it will all click and you’ll get a new supermusic genre like rock ’n’ roll or reggae,” Flemons says. “When you get all these styles mixing, suddenly it can come together and then you get people tearing their hair out to get ahold of that music.”

You've read  of  free articles. Subscribe to continue.
Real news can be honest, hopeful, credible, constructive.
What is the Monitor difference? Tackling the tough headlines – with humanity. Listening to sources – with respect. Seeing the story that others are missing by reporting what so often gets overlooked: the values that connect us. That’s Monitor reporting – news that changes how you see the world.

Dear Reader,

About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:

“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”

If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.

But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.

The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.

We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”

If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.

QR Code to Banjos back on center stage
Read this article in
https://www.csmonitor.com/The-Culture/Music/2013/0702/Banjos-back-on-center-stage
QR Code to Subscription page
Start your subscription today
https://www.csmonitor.com/subscribe