A youth publisher moves away from propaganda.
Almost nothing looks intact in the Iraqi Children's Cultural House. Every window in the building is shattered. The grass outside grows waist-high, and the stripped hulk of a smashed car sits in the parking lot. Inside, debris litters the floors and exposed wiring sprouts from the walls. And in every room stand rows of empty bookshelves and magazine racks - a testament to the culture house's past as one of Iraq's main children's literature producers.
The building now echoes with construction sounds as workers hammer and lay bricks in an effort to return the House to its former glory.
But the improvements are more than just cosmetic. The center is beginning a new era and a shift away from the time when it served to indoctrinate young Iraqi minds.
Gone are the days when it published books like "Tanks in the Night" and "Battle Stories," glorifying the accomplishments of the Iraqi Army and showing proud Iraqi soldiers capturing miserable, servile Iranian POWs.
The Cultural House's three flagship magazines - Sindbad, Muzmar, and Magalati - were mixed affairs, alternating harmless cartoons featuring talking animals with pages of passionate tributes to Saddam Hussein and the Baath Party.
Longtime employees recall how the propaganda became most blatant around patriotic national holidays like Army Day, Mr. Hussein's birthday, and the anniversary of the founding of the Baath Party.
"Every special occasion had its own special issue, and our country is famous for its patriotic holidays," chuckles Nida Nasser, the Cultural House's archivist. "Every day we'll surprise you with a new one."
The issue of Muzmar that coincided with the 2002 presidential referendum may be the most extreme example of the youth-oriented propaganda machine at work. The cover features a drawing of smiling children holding a sign that says "Yes, Yes to Daddy Saddam!" while their parents vote in the foreground. Inside are a biography of Hussein, an article describing the "1.5 million love letters" written to the president by the Iraqi people, and a two-page testimonial from Cultural House employees recalling their own joyous voting experiences.
"The work of the writers was forced in this direction," says veteran children's writer Muhammed Jabar Hassan. "The previous production was geared toward mobilizing and militarizing the mind of the child to serve the regime."