A diverse group of writers lend their talents to the search for meaning after Japan’s tsunami.
March 11, 2011, 14:46 Japan Standard Time: A magnitude-9.0 earthquake lasts six minutes, followed by a 50-foot tsunami that, within 15 minutes, plows inland six miles and causes meltdowns in five nuclear plants. “In one’s wildest imagination, this is beyond conceivable,” write editors Elmer Luke and David Karashima in their introduction to March Was Made of Yarn.
One year later, writer/editor Luke and novelist/translator Karashima have pulled together a diverse collection of new and previously published nonfiction, fiction, poetry, and a manga to create “an artistic record” of a people’s response to an unimaginable disaster. The writers are mostly Japanese – including major names like Yoko Ogawa and Ryu Murakami – translated into English by an impressive list of powerhouse translators. Although the quality of the final product is mixed – as is often the case with anthologies – the impetus behind each individual piece is heartfelt.
Two stories are standouts, each for the naked vulnerability they display. In “The Charm,” by Kiyoshi Shigematsu (translated by Jeffrey Hunter), a woman plagued by guilt for “her comfortable, carefree life in Tokyo” returns to a town “devoured by the ocean” where she spent a year of her peripatetic childhood, hoping to contact any of her former classmates. Her search takes her to a hilltop playground where she witnesses two young girls sharing a “charm” – a chanted promise – so personal that it makes her feel that “now everything was all right.”