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Suddenly a new, oddly myopic author takes over the narrative, one seemingly uninterested in providing details about the origins and inspiration behind his comedic persona or an insider's take on his groundbreaking films; unwilling to acknowledge many of his invaluable collaborators; largely mute on the fecund creative environment that was Hollywood in the teens and twenties; and, most surprisingly, barely reflective when considering the seismic shift in status granted him as he evolved, in a relatively brief period of time, from an unknown knockabout comedian to the most successful entertainer the world had yet seen. Chaplin's omissions quickly become as maddening as they are inexplicable.
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