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The Inventor and the Tycoon

Movies, money, and murder in the Gilded Age West.


The Inventor and the Tycoon
By Edward Ball
Knopf Doubleday
464 pp.

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Reviewed by Heller McAlpin for Barnes & Noble Review

For biography lovers – those of us who can't get enough of the engaging and often instructive mix of happenstance, striving, conniving, satisfaction, and woe that factors into the lives of both the well known and unknown – dual biographies can add up to a double treat. Frequently about married couples, these twofers often focus on famous pairs like Jean-Paul Sartre and Simone de Beauvoir, whom Hazel Rowley chronicled in Tête-à-Tête, or relatives of the author, such as Vikram's Seth's great-aunt and -uncle in Two Lives, or Francine du Plessix Gray's parents in Them.

Edward Ball's The Inventor and the Tycoon is a different sort of dual biography. Like Simon Winchester's The Professor and the Madman, it zeroes in on the unlikely confluence of two disparate men, a brief convergence that resulted in the creation of something with enduring value: in the case of Winchester's duo, the Oxford English Dictionary, and in Ball's, the early stages of motion picture technology.


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