Aspects of "The Interestings" strike familiar chords. After all, there's nothing new about a group of teens, intoxicated with their recent discovery of irony and wry wit, "gathering because the world was unbearable, and they themselves were not." Wolitzer captures the cocky "assumption of eventual greatness" that draws them together, before they are knocked down several pegs by often sobering realities: financial and romantic woes, lives poleaxed by illness, developmental disabilities, self-destructive siblings, and deaths that strike out of nowhere.
At the center of "The Interestings" is Julie Jacobson, who quickly morphs into the far edgier "Jules." This aspiring comic actress and "short-sedered Jew" attends the hippie-inflected Spirit-in-the-Woods arts camp in Massachusetts on scholarship the summer after her father dies at 42 of pancreatic cancer. The lone middle-class Long Islander among more sophisticated New Yorkers, Jules never quite shakes the sense that she's an outsider. It's a feeling that's later exacerbated by her choice of husband (an ultrasound technician) and fallback career (social work therapist), though the enduring friendships she makes in overheated Teepee 3 during her first summer at camp change her life irrevocably.