"The Executioner’s Song": Norman Mailer wrote so powerfully that some find the murderer Gary Gilmore “heroic” for insisting that his execution be carried out without a protracting series of appeals and lawyering delays. Okay, but what bothered me was Mailer’s role in hyping "In the Belly of the Beast" and obtaining parole for the book’s author, convicted killer Jack Henry Abbott – who, six weeks after his release, committed another murder. No go.
"Invitation to a Beheading": I don’t get Vladimir Nabokov. Yeah, okay, he learned English really well. But somebody at the DOC or, more likely, some inmate would find out about "Lolita"... I found that book irredeemably “icky." As for "Invitation," flap copy speaks of “a dream country” and “a vision of a bizarre and irrational world.” The copy also speaks of the imaginary crime of "gnostical turpitude,” “chimerical jailers,” and the condemned prisoner’s ability to make his executioners disappear, “along with the whole world they inhabit.” Naaah.
"The Stranger": Too strange. I wouldn’t be able to explain Albert Camus’ thinking, the defendant’s indifference, or whatever it is, the defendant’s responses and his failure to respond and react as one might expect of someone accused and then convicted of murder. Too strange.