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Review: 'Crossing Over'

Harrison Ford plays a burned-out immigration officer in a film that puts plot complexity in a new league.

Harrison Ford and Jamison Haase star in "Crossing Over."

Dale Robinette/The Weinstein Company/AP

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In writer-director Wayne Kramer's "Crossing Over," Harrison Ford plays Max Brogan, a weary Los Angeles-based agent for Immigration and Customs Enforcement (ICE). Although many of his working hours are spent busting illegals, his heart is no longer in the job. When a sweatshop raid collars a Mexican mother (Alice Braga), she pleads with Max to spare her young son from abandonment. [Editor's note: The original version omitted the first paragraph.]

It's a powerful opening to a movie that rapidly fractures into a hodgepodge of interlocking subplots showcasing immigration woes. The film's structure is similar to that of "Crash," another overweening, high-style melodrama that reeked with self-importance.

You practically need a flow chart to keep all the players straight. Max's ICE partner, Hamid (Cliff Curtis), of Iranian descent, has a wealthy father who fled the 1979 revolution and is about to become a naturalized US citizen. His Goth-like daughter Zahra (Melody Khazae), however, has adopted what he views as loose Western ways – a real no-no.


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