Inspired by a biannual baroque festival and the legacy of missionaries, young people join choirs and take up the violin and Vivaldi in parishes across the country's eastern lowlands.
Sarah Miller Llana
San Ignacio de Velasco, Bolivia
Life moves slowly in this town deep in the jungle of Bolivia, 280 miles from the nearest city, where most streets are swaths of red earth, money is made off the land, and TV, for those who own one, is not an after-dinner ritual.
It is not the kind of place one would normally seek out high culture.
But on a recent evening, off the neatly manicured central plaza, the sonatas of Vivaldi and Haydn pour from the town's imposing cathedral. Even more unusual is who is crowding many of the pews: sneaker-clad youths. They are not here under the duress of some imperious teacher. They're eagerly absorbing the sounds of string and wind instruments redounding through the wood-beamed church.
Their rapt attention is one of the most visible legacies of the International Festival of Renaissance and American Baroque Music, which may be leaving as big a mark on the small towns of eastern Bolivia as anything since the Jesuit missionaries 300 years ago. Perhaps in few places on earth is music transforming the lives of a new generation more than in this remote low-land section of South America.
The biennial baroque festival, which wrapped up last week, draws artists from across the globe who perform a repertoire of classical music that always includes at least one piece from the impressive, sacred archive, begun by the missionaries in the 17th century. The festival also attracts well-heeled tourists from Argentina, Chile, the US, and Europe.
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