The Black Count
New Yorker writer Tom Reiss gives us the rattling good tale of the real Count of Monte Cristo.
Most of us will depart this vale of tears little noted beyond our immediate circle of friends and family. The obituary in the local paper will be paid for, and our headshots will not live on in Webster’s Dictionary. Within a few generations, all conscious connections to the living will vanish. How many of us can name our eight great-grandparents?
Sometimes even quite remarkable people rapidly dissipate into the murk of eternity. In his second book, The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo, Tom Reiss has resurrected one such lost soul, offering him up to us in all his swashbuckling relevance.
Alexandre Dumas would lead what can only be described as two fictional lives. The first was his own improbable saga: up from slavery in Haiti to the rank of general in the French Army, leading 50,000 men into battle and fighting alongside Napoleon in Italy and Egypt. Josephine and her husband were pledged to be godparents of his firstborn son. Dumas’ second incarnation was serving as the inspiration for the character Edmond Dantès in “The Count of Monte Cristo,” the adventure novel written by his son, the infinitely more famous Alexandre Dumas.
If there is a soupçon of difference in drama between the flesh-and-blood hero and the literary version, it is vanishingly slim. The real Count (his father was a Marquis) was born in 1762 in Jérémie, Saint-Domingue (now Haiti) to a down-and-out French nobleman on the lam and his slave mistress. His first 12 years were relatively carefree. Dumas roamed the countryside around his father’s modest farm in this backwater of Haiti, which Reiss described as “the mulatto capital of the Western world.” Mixed-race offspring could be freemen and society at the highest levels was quite diverse.