Budget cuts and authorial tango: why Frank Darabont left AMC's 'The Walking Dead'(Read article summary)
The story behind Darabont's departure from the critically successful show is revealed.
The news of Frank Darabont stepping down from AMCâ€™s hit series The Walking Dead took everyone by shock. This feeling grew even more when it was revealed that Darabont didnâ€™t step down, but was actually fired.
With fans seeking to find out why the man that championed last yearâ€™s television phenomenon was unceremoniously fired days after appearing at Comic-Con 2011, The Hollywood Reporter is presenting the fact as they know it â€“ including the chaotic mess that The Walking Dead season 2 currently finds itself in.
Shortly after their appearance at Comic-Con, Darabont returned to Los Angeles to work on editing an episode of the upcoming second season of The Walking Dead. With the cast in Atlanta to continue filming, Ben Davis, AMC vice-president of scripted programming, gathered the cast together for a lunch meeting. In this meeting, he broke the news that Darabont had been fired. With a simple explanation of â€śThis isnâ€™t working,â€ť sources close to the series said that â€śItâ€™s a crushing blowâ€ť and that â€śEven when you have a hit, they can still destroy you.â€ť
Even though The Walking Dead proved to be a hit â€“ and it being the only series that AMC owns completely â€“ the network had already announced to the producers that they would not only be cutting the budget of the series from $3.4 million to $2.7 million, but that they would also want 13 episodes produced instead of 6 episodes that made up its first season. To make matters worse, AMC also told the producers that the 30% tax credit that the series receives from filming in Georgia would go directly to the network, and not make up for some of the money that was taken out of the production budget.
AMCâ€™s decision of fiscal irresponsibility and the unappreciation for those who make The Walking Dead is largely what led to Darabont being fired. Originally taking the announcement of a second season budget cut in stride, the producers of the series decided to wait until the first season premiered. After The Walking Dead began breaking ratings records for the network, the producers assumed their budget wouldnâ€™t be cut as much as originally thought.
Unfortunately, this is exactly what happened â€“ and Darabont wasnâ€™t too happy about it. Known as a man who fights for what he believes in, a confrontation between AMC and The Walking Dead producers occurred. With the head of original programming for AMC, Joel Stillerman, sticking to the cut budget, the network than began to overstep their bounds and attempt to tell Darabont how to create the series.
Instead of long sprawling outdoor scenes, the network wanted the second season of The Walking Dead to occur 50% outdoors and 50% indoors (indoors being cheaper to film). Another note asked the question about whether or not the audience had to always see the zombies â€“ couldnâ€™t they simply hear them sometimes.
Itâ€™s been said that Darabont was involved in constant battles with the network to maintain the creative vision that drew so many fans to the series in the first place. On top of that, sources say that Darabont â€śdoesnâ€™t like to see the cast and crew overworked and underpaid.â€ť Even with record ratings on their side, Darabont would continuously enter meetings with Stillerman where he would simply say, â€śRatings have no bearing on this conversation.â€ť Stillerman is somewhat known for not being the â€śbest personâ€ť to deal with. With rumors persisting that he has poor relationships with most of AMCâ€™s0 series creators, insiders have begun to say that â€śJoel [Stillerman] thinks he is responsible for the success of shows on AMC, and not the creators.â€ť
With AMC making a leap into the forefront of scripted television, thereâ€™s always been a sense of the network going through growing pains. Not only is AMC doing it on their own (they have no parent company for support), but theyâ€™re also trying to maintain a quality which rivals that of their pay-cable counterparts, HBO and Showtime.
Unfortunately, AMC only makes 60 cents for each cable subscriber, which isnâ€™t enough to maintain that level of quality that they were once able to do when they werenâ€™t expected to pay the same amount as the other networks for programming. That being said, itâ€™s hard to really stand up for a network thatâ€™s being championed by someone whoâ€™s completely contrary to the creative process.
Even if AMC was trying to do whatâ€™s best for the network (without having to operate at a loss â€“ something that HBO does, but is evened out by HBO being owned by Time Warner), there comes a point when taking a loss for the quality of the product is more important that staying in the green.
As the saying goes, â€śGood things come to those who wait.â€ť
AMC has been waiting a long time to make it this far. Jumping from simply replaying old movies to creating original content â€“ this all comes with a price. While not everything will make the financial return that youâ€™re hoping for, it rarely does when youâ€™re first starting out. And for AMC, theyâ€™re most certainly starting out.
Hopefully AMC will make it through these growing pains intact. If not, you can sure bet that there are many other cable networks willing to take over in the place (and have the money to do it).
The Walking Dead season 2 premieres October 19 on AMC
Follow Anthony on Twitter @anthonyocasio
Source: The Hollywood Reporter
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