1. The Girl on the Train by Paula Hawkins, Riverhead (Debut)
2. A Man Called Ove by Fredrik Backman, Washington Square Press
3. Me Before You by Jojo Moyes, Penguin
4. The Sympathizer by Viet Thanh Nguyen, Grove Press
5. The Girl in the Spider's Web by David Lagercrantz, Vintage Crime/Black Lizard
6. My Grandmother Asked Me to Tell You She's Sorry by Fredrik Backman, Washington Square Press
7. Circling the Sun by Paula McLain, Ballantine
8. The Little Paris Bookshop by Nina George, Broadway
9. My Brilliant Friend by Elena Ferrante, Europa Editions
10. A Spool of Blue Thread by Anne Tyler, Ballantine
11. Our Souls at Night by Kent Haruf, Alan Kent Haruf, Vintage
12. The Japanese Lover by Isabel Allende, Atria
13. The Rocks by Peter Nichols, Riverhead
14. In a Dark, Dark Wood by Ruth Ware, Gallery/Scout Press
15. Avenue of Mysteries by John Irving, S&S
Mark Sappenfield
Dear Reader,
About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”:
“Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.”
If you were to come up with a punchline to a joke about the Monitor, that would probably be it. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. We’re the bran muffin of journalism.
But you know what? We change lives. And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in.
The Monitor is a peculiar little publication that’s hard for the world to figure out. We’re run by a church, but we’re not only for church members and we’re not about converting people. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908.
We have a mission beyond circulation, we want to bridge divides. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. And we can prove it.”
If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to CSMonitor.com.
