'The Mummy' is a tentpole production with nothing under the tent
The latest and lackluster reboot of the 'Mummy' story has mediocre CGI warfare. Tom Cruise, Annabelle Wallis, Sofia Boutella, and Jake Johnson star.
Patrick T. Fallon/Reuters
Alex Kurtzman’s “The Mummy” reboots a franchise I would gladly have dispensed with from the start. The lackluster new incarnation, starring Tom Cruise as a wisecracking Army sergeant who loots antiquities from Iraqi war zones, is a generic summer time-killer that, alas, is positioned to bequeath sequels into the foreseeable future. Just what we all need right now – another sagging tentpole production with nothing under the tent.
Cruise’s Nick Morton and his Army buddy, Chris (Jake Johnson), using a map filched from English archeologist Jenny Halsey (Annabelle Wallis), discover an Egyptian coffin, far from its Mesopotamian origins, buried in a pool of mercury. Before long, Ahmanet (Sofia Boutella, who is not bad), the sole heir to Egypt’s throne before her pharaoh father spoiled everything by siring a son, appears on the scene – mummified, sort of, but still game, and fixated on Nick as her “chosen one."
Much mediocre CGI warfare ensues, featuring only one effective sequence: Chris attempting an underwater rescue of Jenny while pursued by a squadron of zombies. Zombies figure big in “The Mummy.” They have no more life than the movie itself. Grade: D+ (Rated PG-13 for violence, action, and scary images, and for some suggestive content and partial nudity.)