And so we are introduced to the kingdom as ruled by a young tyrant – one beset by the unnervingly casual nature of extreme violence. The violence and utter disregard for human life serves a potent reminder that though the audience may favor one character over another, Game of Thrones refuses to guarantee anyone’s term on the program – especially now that war has broken out between Eddard’s eldest son Robb Stark (Richard Madden) and the Lannisters.
When last we saw them, the Lannisters seemed on top of the world, but now they’re faced with the real possibility that retribution for the beheading of Eddard Stark (Sean Bean) may be coming to the south more swiftly than winter. There is an air of resentment and disgust about King’s Landing regarding the unsubstantiated (but totally true) rumors of King Joffrey being the bastard son of his uncle Jamie (Nikolaj Coster-Waldau). It seems as soon as they took power, the knowledge of the Lannister twins’ indiscretion was poised to be their undoing. As Cersei Lannister (Lena Headey) demonstrates, though, knowledge may be a powerful tool, but only if it is used by those with a captive audience – which, at the moment, King’s Landing is short on. But power comes in many forms, and right now, Cersei and her family still wield the kind that could end a dissenter’s life.