At the Sundance Film Festival, docs like 'Twenty Feet From Stardom' and 'The Crash Reel' show some of the best the industry has to offer.
Ari Perilstein/Getty Images
The weather was so uncharacteristically unglacial this year at the Sundance Film Festival that I almost – almost! – pitied the winter warriors deprived of their annual bout of bone-chill. Getting around Park City, Utah, has never been less of an ordeal. You could concentrate on the movies, not ice storms. I found myself rethinking my opposition to global warming.
Of the 119 movies from 32 countries that screened at Sundance, I saw 15 in five days. If I missed more than my share of buzz-worthy fare, so did everybody else. Pity the poor festival programmers: They had to winnow the list down from more than 4,000 submissions.
In a series of firsts for the festival, there were 51 rookie filmmakers represented, and eight of the 16 films in official competition were directed by women. There was also much more talk than usual about the ways in which movies – especially the independent fare and documentaries that make up Sundance – are experienced by audiences.
Page 1 of 7